Paddy Kingsland at the Radiophonic Workshop |
Patrick ‘Paddy’ Kingsland is a composer of electronic
music best known for his incidental music for science fiction series on BBC
radio and television whilst working at the BBC Radiophonic Workshop. He joined
the BBC as a tape editor before moving on to become a studio manager for BBC
Radio 1. In 1970 he joined the Radiophonic Workshop where he remained until
1981. His initial work was mostly signature tunes for BBC radio and TV
programmes before going on to record incidental music for programmes including
The Changes, two versions of The Hitchhiker’s Guide to the Galaxy: the second
radio series and the TV adaptation, as well as several serials of Doctor Who.
His work on the latter series included incidental music for the following serials:
Meglos, Full Circle, State of Decay, Logopolis, Castrovalva, The Visitation,
Mawdryn Undead and Frontios.
Other well known series which contained music composed by
Paddy Kingsland are Around the World in 80 Days and Pole to Pole, both travel
series by Michael Palin. Paddy Kingsland also composed music for many schools’
television series including Words and Pictures, Rat-a-tat-tat, Watch,
Numbercrew, Storytime, English Express, Music Makers, Hotch Potch House and the
Look and Read stories “Joe and the Sheep Rustlers” and “The Boy from Space”.
Since leaving the BBC, composed music for the KPM music library, television,
commercials and corporate videos. He also owns his own studio, PK Studios. He
is currently composing the music for the CITV series “Blips” produced by
Ragdoll Productions.
In 1973, Fourth Dimension, a compilation of his early
signature tune work for the Radiophonic Workshop, was released and in 2002 his
incidental scores for the Doctor Who serials “Meglos” and “Full Circle”
featured as part of the Doctor Who at the BBC Radiophonic Workshop compilation
series. Eight albums of his library music work have been issued by KPM.
Paddy Kingsland –
http://en.wikipedia.org/wiki/Paddy_Kingsland
Paddy Kingsland and PSK Studios -
http://www.pkstudios.co.uk/about.html
Listen to our interviews with BBC Radiophonic Workshop Composer Paddy Kingsland:
Peter Howell at the Radiophonic Workshop |
Peter Howell is a musician and composer who worked at the
BBC Radiophonic Workshop from 1974-1997 – shortly before the workshop
disbanded. His musical career began in the 1960s where he played what is referred
to as ‘psychedelic folk’ with groups ranging from Agincourt to others. Beyond his contributions to Doctor Who,
Howell’s prolific output includes scores for science fiction series, dramas,
documentaries and children’s television including Horizon, The Body in Question
and Michael Palin’s Full Circle.
Peter Howell began his work on Doctor Who began in 1975
with an uncredited contribution to Revenge of the Cybermen. Carey Blyton
composed the incidental music for this serial, but producer Philip Hinchcliffe
asked the BBC Radiophonic Workshop to enhance the score, which was done by
Peter Howell, adding synthesizer cues to Blyton’s score. Additionally he
performed special sound design on Serial 4H – Story 81 – the Planet of Evil.
Later, when John Nathan-Turner became producer of Doctor Who in 1980, he
approached Peter Howell and the Radiophonic workshop to create a new
arrangement of Ron Grainer’s Doctor Who theme as well as to provide incidental
music, thus replacing Dudley Simpson who had been the longest-running composer
on Doctor Who. In addition to his score to the Leisure Hive, Howell’s
incidental music contribution spans the Tom Baker stories Warrior’s Gate, the
Peter Davison stories Kinda, Snakedance, the Five Doctors, the Awakening and
Planet of Fire as well as the Colin Baker story the Two Doctors – his final
contribution to the series. Along with composer Paddy Kingsland, Howell also
composed part of the for Meglos, as well as scoring the Doctor Who spinoff
special K9 and Company and Jon Pertwee’s Radio Dramas The Paradise of Death and
The Ghosts of N-Space. His music would also appear in the 1999 Steven Moffat
Doctor Who spoof – the Curse of the Fatal Death – starring Rowan Atkinson as
the Doctor.
Since his days at the BBC Radiophonic Workshop, Peter
Howell is the founding Director of Sound Music Design Ltd, a company
specializing in providing of music and sound design for the film, television
and radio. In May of 2009, Howell participated
in a live concert revival of the Radiophonic Workshop at The Roundhouse
in London. Additionally Howell teaches music and sound design at the National
Film and Television School, as well as lectures at Bournemouth University’s
Media Department, Leeds College of Music, and the Screen Academy Scotland where
he has trained over 40 composers who now compose music for feature films,
theatre, television and computer games.
Peter Howell – http://en.wikipedia.org/wiki/Peter_Howell
Peter Howell's Blog – http://peter-howell.blogspot.com
Peter Howell’s website – http://www.peterhowell.plus.com/
Peter Howell’s early work –
http://www.howell-ferdinando.co.uk/
Recordings Featuring BBC Radiophonic Workshop Composers Paddy Kingsland & Peter Howell:
Doctor Who – The Music (1983, Reissued by Silva Screen
Records in 1992) – http://en.wikipedia.org/wiki/Doctor_Who_-_The_Music
Doctor Who – The Music II (1983, Reissued by Silva Screen
Records in 1992) – http://en.wikipedia.org/wiki/Doctor_Who_-_The_Music_II
Doctor Who at the Radiophonic Workshop Volume 2: New
Beginnings (2000) – http://en.wikipedia.org/wiki/Doctor_Who_at_the_BBC_Radiophonic_Workshop_Volume_2:_New_Beginnings1970%E2%80%931980
Doctor Who at the Radiophonic Workshop Volume 3: The
Leisure Hive (2002) – http://en.wikipedia.org/wiki/Doctor_Who_at_the_BBC_Radiophonic_Workshop_Volume_3:_The_Lesiure_Hive
Doctor Who at the Radiophonic Workshop Volume 4: Meglos
& Full Circle (2002) – http://en.wikipedia.org/wiki/Doctor_Who_at_the_BBC_Radiophonic_Workshop_Volume_4:_Meglos_%26_Full_Circle
For more episodes & information on Adventures in Time, Space and Music, please visit us at http://atsm.phillipwserna.com/.
I think a version of Gainer's Dr Who theme should be done by Joe Satriani. What he could do with his guitar and that music could be epic. Just sayin'
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